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AMINE LIMBO ZIP PLUS
Click the AdBlock Plus icon in the browser extension area in the upper right-hand corner.Refresh the page or click the button below to continue.Under “ Pause on this site” click “ Always”.Click the AdBlock icon in the browser extension area in the upper right-hand corner.In other music news, Conway The Machine and Method Man just shared their new collab “Lemon.”Īdblock Adblock Plus Adblocker Ultimate Ghostery uBlock Origin Others Stream Aminé’s Limbo on Spotify and Apple Music below. The shifting moments from the trap-infused beats of “Woodland” to the guitar-tinged “Kobe” spoken interlude (where Jak Knight speaks of the effects of Kobe Bryant’s untimely death), or from the slick Walker-assisted cut “Easy” to the heartfelt mother’s anthem “Mama,” highlights Aminé’s dedication to producing more than just a one-track offering, indicating that his artistry won’t stop evolving any time soon. He has, without a doubt, mastered the art of crafting infectious hooks, but also chooses to deliver pensive offerings to create a well-rounded album. Limbo exemplifies Aminé’s striking balance of harmonious, energetic sonic backdrops and introspective lyricism. At its core, Limbo is a searching album that often poses more questions than it answers, but Aminé makes the journey itself its own kind of pleasure.Executive produced by Pasqué and the rapper himself, the 14-track project flows at a steady pace and features guest appearances from JID and Charlie Wilson on “Roots,” Young Thug on “Compensating,” slowthai and Vince Staples on “Pressure In My Palms,” Summer Walker on “Easy,” Injury Reserve on “Fetus” and Daniel Caesar (unlisted) on “My Reality,” along with production from the likes Boi-1da and T-Minus. He uses his voice as well as his production choices to build in contrast-nothing is ever too serious or flippant-and it makes for an intriguing listen that constantly pulls at the ear. One of Aminé‘s greatest strengths is his versatility he can effortlessly switch up his flows or a song's mood, going from a frenzied cadence to honeyed singing in a flash. Album closer “My Reality” pauses to breathe in all that life has brought to the rapper and exhales as a resounding thank-you. Elsewhere, he offers a show of maternal gratitude on “Mama” (“You're the only woman in my life who makes me smile,” he croons in falsetto), and conversely, “Fetus” wrestles with the prospect of parenthood and all that comes with it. The silken “Easy” is a duet with Summer Walker about making it work even and especially when times are difficult. “Can't Decide” captures the indecision of situationships and those in-between states of maybe friends, maybe more, while “Riri” is a wounded survey of lost loves that manages to not sound wounded at all (and brims with pop culture references to boot). Of course romance is the primary recurring theme, because what is the heart if not life's greatest limbo. It effectively captures the state suggested by its title, the messy, complicated, and triumphant glory of a quarter-life crisis. What follows reflects a wide-ranging version of the Portland rapper-at once introspective and lighthearted, weighty confessionals alongside freewheeling levity. “This is some s**t you go and pick your homie up from jail with,” Aminé announces to open Limbo, his second studio album.
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